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III Laudamus te - Vivaldi Gloria - Soprano 2

papisenior

4:11	Est. Play Time
126	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_3	28	42	9	5	97%
	25	15	8	5	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_3	28	42	9	5	97%
	25	15	8	5	96%
Soprano I	12	0	4	6	56%
Soprano II	11	0	3	7	53%

IV- Missa Brevis -J. Haydn Benedictus (sans accompagnement)

papisenior

0:01	Est. Play Time
162	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano solo	18	0	7	7	71%
Bas	10	0	2	4	29%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano solo	18	7	7	71%
Bas	10	2	4	29%
Alto	10	1	3	22%
Tenor	8	0	3	22%
Soprani	7	0	3	20%

Oh_Happy_Day - mélodie (voix)

papisenior

2:51	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	0	1	5	97%
Baryton	7	0	0	5	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	0	1	5	97%
Baryton	7	0	0	5	97%
Soprano	9	2	1	5	97%
Voix	10	0	2	6	68%

Geistliches Lied, Op. 30 Brahms - Tutti

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
A	13	2	5	75%
B	14	2	6	73%
Orgue	15	3	5	50%

Jésus est le chemin

papisenior

4:01	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	8	0	0	6	63%
Tenor	4	0	2	6	51%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	8	0	6	63%
Tenor	4	2	6	51%
Alto	7	0	6	33%
Bass	10	2	6	24%

III Laudamus te - Vivaldi Gloria - Soprano 1

papisenior

4:56	Est. Play Time
126	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_3	28	42	9	5	97%
	25	15	8	5	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_3	28	42	9	5	97%
	25	15	8	5	96%
Soprano I	12	0	4	6	56%
Soprano II	11	0	3	7	53%

Geistliches Lied, Op. 30 Brahms - Soprani

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
A	13	2	5	75%
B	14	2	6	73%
Orgue	15	3	5	50%

Geistliches Lied, Op. 30 Brahms - Alti

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
Fl.	13	2	5	75%
B	14	2	6	73%
Orgue	15	3	5	50%

Geistliches Lied, Op. 30 Brahms - Basses

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
A	13	2	5	75%
Bass	14	2	6	73%
Orgue	15	3	5	50%

Geistliches Lied, Op. 30 Brahms - Ténors

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
A	13	2	5	75%
B	14	2	6	73%
Orgue	15	3	5	50%

Quien Fuera Como El jazmin - Etude chorale - Tutti

papisenior

2:48	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Ténor	17	8	6	6	77%
Soprano	16	0	7	5	57%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Ténor	17	8	6	6	77%
Soprano	16	0	7	5	57%
Basse	19	3	4	6	55%
Alto	11	0	3	5	52%

III Laudamus te - Fa M - S2 dominante

papisenior

4:33	Est. Play Time
126	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_3	28	42	9	5	97%
	25	15	8	5	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_3	28	42	9	5	97%
	25	15	8	5	96%
Soprano I	12	0	4	6	56%
Soprano II	11	0	3	7	53%

Quién Fuera Como El Jazmín - Basse

papisenior

3:36	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	8	6	6	77%
	21	6	6	6	62%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	8	6	6	77%
	21	6	6	6	62%
Sopr.	16	0	7	5	57%
Alto	11	0	3	5	52%

Quién Fuera Como El Jazmín - Alto

papisenior

3:36	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	8	6	6	77%
	21	6	6	6	62%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	8	6	6	77%
	21	6	6	6	62%
Sopr.	16	0	7	5	57%
Alto	11	0	3	5	52%